Stevie commented to Cash as Remi left that she could think of something that would take her mind off her stalker, with Cash quickly retorting “Don’t even think about it.”

Back in the front garden, Stevie’s busy admiring the view until Cash breaks her out of her reverie, scolding her for being out in the open where anyone could see her. She should stick to the backyard where it’s safer.

Stevie soon gets news that she’s scored an audition for a movie she’s been hoping to get—she wants to branch out and show people that she can do more than horror flicks, and this one is for a romantic comedy.

She explains that the audition is at a city casting agency but Cash is quick to shut down the idea of going there, it’s too risky. Thankfully Stevie later receives confirmation that they’ll accept a self-taped audition.

Stevie will need a scene partner for it though. Cash quickly rules himself out, and whilst Flick is eager to help, Stevie points out that it’s a love story and she needs a man to work with.

So it’s lucky that Remi just happens to be there, using Cash and Flick’s pool for his physio, and after overhearing Stevie going through the scene several times over he’s already familiar with the script.

Stevie not too subtly points out that it would be so much easier with a scene partner and Remi takes the hint, saying that she can ask him if she wants to.

The pair head over to Remi’s where they run through the scene a few times, both noticing a spark between them, before cracking open a beer.

As they do one more rehearsal, Remi points out that the end of the scene has them kissing, and it seems he’s only too happy to oblige.

The pair decide to improvise the next scene, and up the age rating, by heading to Remi’s bedroom.

Meanwhile, across the road, Cash panics when he returns home and Stevie is nowhere to be found. Flick and Eden also have no idea where she’s gone, nor Remi who must have used the side gate to leave. Cash is furious, and Eden’s attempts to get through to Remi’s phone aren’t successful.

Back at No. 55, Cash’s concerns are the last thing on Stevie’s mind as she lies in bed with Remi.