This week on Home and Away in Australia, Xander takes drastic action as Mackenzie and Felicity’s feud continues, while Stevie refuses to head to set as shooting begins on All Our Tomorrows.

She’s the lead actress in All Our Tomorrows, the new rom-com which is about to begin filming in Summer Bay. Yet as the first day of production rolls around, the usually confident Stevie Marlow (Catherine Văn-Davies) is nowhere to be found.

Last week saw Remi (Andrew Rowland) come face to face with ex-girlfriend Bree (Juliet Godwin) kissing her new fling Nelson (Mahesh Jadu), the director of the hotly anticipated new film.

Lead actress Stevie had brought Remi to the fancy house where she and Nelson were staying, but Nelon had the same idea, whisking Bree away from Summer Bay on the back of his motorbike to their luxury pad.

If seeing Bree and Nelson kissing wasn’t enough of a shock, Remi was in for the surprise of his life when he saw his ex happily jump on the back of Nelson’s motorbike.

Remi’s refusal to give up his motorbike was a major contributor in his and Bree’s split, so he can’t understand why she’s willing to jump on the back of someone else’s bike.

Seeing his ex move on with someone else proved surprisingly difficult for Remi, and he came to the realisation that he couldn’t keep dating Stevie, especially as most of their hookups ended with them practising lines together.

At the end of last week, Remi ended his fling with Stevie, coldly telling her, “running lines, giving pep talks, I can’t do this. I’m not your boyfriend. I’m out.

Later, Stevie tried to reassure Remi that she wasn’t looking for a boyfriend, but when she tried to continue with their no-strings-attached fun, Remi shot her down once again.

Stevie then joined Cash and Eden for drinks at Salt, and the pair were shocked to see just how quickly Stevie was downing her cocktails.

As Cash reminded her that she had an early start the following morning, she dismissed him, telling him she could handle a few drinks.

Yet, on the morning that production of All Our Tomorrows was set to begin, Stevie was nowhere to be found.

When Cash finally tracked her down, he found her emotional on his sofa, where she told him that she’s not a real actor, and that she’s not doing the film.

Suffering from imposter syndrome, and still in shock after the recent incident with her stalker and now her breakup, she refuses to leave the house and head for set.

As Stevie pours herself an early morning glass of wine, it’s on Cash to try and talk her around, sober up, and get her to set on time.